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Harold Washington Library from 1991, with its exaggerated ornament and references to historic Chicago buildings, is one of the city's most well-known Postmodern buildings.","https://cdn.builder.io/api/v1/image/assets%2F49af4dfb0fbc43d58bf8ce407e839d74%2Fe3b664223163475894e28f45af919ccf",{"src":578,"caption":579},"https://cdn.builder.io/api/v1/image/assets%2F49af4dfb0fbc43d58bf8ce407e839d74%2Ff24f08ae25cd44db82edad6aaf5fdeb6","In designing for 190 South LaSalle, architects John Burgee and Philip Johnson were inspired by the 1892 form of the now-demolished Masonic Temple, one of the city's early tall buildings. 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Its tripartite structure includes a base, shaft and capital.","https://cdn.builder.io/api/v1/image/assets%2F49af4dfb0fbc43d58bf8ce407e839d74%2F6c2affa8f8064ba7878c85a4a81c4e26",[584],{"operator":585,"@type":586,"value":587,"property":588},"is","@builder.io/core:Query","/online-resources/encyclopedia/postmodern","urlPath","/online-resources/architecture-encyclopedia/postmodern","Postmodernism emerged in the late 20th century as a critique of Modernism, embracing complexity, metaphor and historical references in architecture and beyond.","Style","2024-08-08T22:16:35.853Z",{"deviceSize":594,"location":595},"large",{"pathname":589,"path":596,"query":600},[597,598,599],"online-resources","architecture-encyclopedia","postmodern",{},[602,690],{"@type":603,"@version":457,"id":604,"meta":605,"children":607,"responsiveStyles":688},"@builder.io/sdk:Element","builder-823194541de44f939f97bbdb3a84d1f6",{"previousId":606},"builder-932b41064ae946a496a943fa25e38c2e",[608,624,639,653,665,677],{"@type":603,"@version":457,"id":609,"meta":610,"component":612,"responsiveStyles":617},"builder-0b20979a1bbf45238bdebf56787f4dd2",{"previousId":611},"builder-910d8ca86bae47969b455984d3f46018",{"name":613,"options":614,"isRSC":616},"Text",{"text":615},"\u003Ch5>A REACTION TO MODERNISM\u003C/h5>\u003Cp>Postmodernism began as a critique. By the late 1960s and early 1970s, Modernism was no longer seen as radical or even relevant. Designers began to question whether architecture indeed had the power to be a utopian remedy for social problems, as more radical Modernists had claimed. Chicago architect and provocateur Stanley Tigerman illustrated this demise in his memorable&nbsp;\u003Ca href=\"http://www.artic.edu/aic/collections/artwork/102963\" rel=\"noopener noreferrer\" target=\"_blank\">1978 photomontage,&nbsp;The Titanic\u003C/a>. In it, Tigerman shows Ludwig Mies van der Rohe’s iconic 1956&nbsp;\u003Ca href=\"https://www.architecture.org/learn/resources/buildings-of-chicago/building/crown-hall/\" rel=\"noopener noreferrer\" target=\"_blank\">Crown Hall\u003C/a>&nbsp;at the Illinois Institute of Technology (Tigerman’s alma mater) sinking into Lake Michigan.&nbsp;\u003Ca href=\"http://chicagoarchitecturalclub.org/following/chicagoarchitecturalclub.org/2015-10-22-S-TIGERMAN-THE-EPIPHANY\" rel=\"noopener noreferrer\" target=\"_blank\">In 2015, Tigerman unveiled a response to his original work entitled&nbsp;New Titanic “The Epiphany”\u003C/a>.\u003C/p>\u003Ch5>A TURBULENT TIME\u003C/h5>\u003Cp>Postmodern trends and ideas emerged out of the 1960s, a time when urban renewal projects led to the widespread demolition of many historic structures in urban centers like Chicago. Preservation battles over the loss of humble neighborhoods as well as city icons (New York’s Penn Station, for example) led many to question how the country recognized its historic heritage—and whether it did at all. Throughout the last decades of the 20th century, global perspectives and popular culture were shaped by things such as the OPEC oil embargo; early efforts in passive energy design; the end of the Cold War; corporate excess; new directions in abstract art; and the rise of hip-hop. Many postmodern architects and artists reacted to these cultural shifts.\u003C/p>\u003Ch5>INFLUENTIAL BOOKS\u003C/h5>\u003Cp>The postmodern era saw the publication of several influential texts that introduced new phrases, theories and ways of seeing the built environment of the late 1960s and early 1970s. In 1966, architect Robert Venturi authored&nbsp;Complexity and Contradiction in Architecturewhich argued for “richness of meaning, rather than clarity of meaning” in buildings. “Less is a Bore” he claimed, in response to&nbsp;\u003Ca href=\"https://www.architecture.org/learn/resources/architecture-dictionary/entry/ludwig-mies-van-der-rohe/\" rel=\"noopener noreferrer\" target=\"_blank\">Mies van der Rohe’s\u003C/a>&nbsp;famous “Less is More” quotation. In 1968, Venturi, his partner Denise Scott Brown and architect Steve Izenour took their class of Yale architecture students to Las Vegas, claiming the commercial strip was America’s equivalent to a Roman piazza or square—and therefore worthy of study. The research was later published as&nbsp;\u003Ca href=\"http://www.architectmagazine.com/design/of-ducks-and-decorated-sheds-a-review-of-i-am-a-monument_o\" rel=\"noopener noreferrer\" target=\"_blank\">Learning from Las Vegas, which coined the terms “duck” and “decorated shed” to describe the architecture of the day\u003C/a>. By 1977, architect and theorist Charles Jencks wrote&nbsp;The Language of Postmodernism—borrowing the term from literature—in an attempt to explain the international shift away from modernism.\u003C/p>\u003Ch5>CHARACTERISTICS\u003C/h5>\u003Cp>In 2011, the Victoria &amp; Albert Museum in London curated a&nbsp;\u003Ca href=\"http://www.vam.ac.uk/page/p/postmodernism/\" rel=\"noopener noreferrer\" target=\"_blank\">wide-reaching exhibition on Postmodernism\u003C/a>. Architectural critics today may look upon the last decades of the 20th century and shake their heads at the decorative excess and “pop cultural parody” of the time period. But the V &amp; A curators took a serious approach to investigating the common threads of Postmodernism. They identified four characteristics: quotation, metaphor, plurality and parody. A Postmodern building such as 1991’s&nbsp;\u003Ca href=\"https://www.architecture.org/learn/resources/buildings-of-chicago/building/harold-washington-library/\" rel=\"noopener noreferrer\" target=\"_blank\">Harold Washington Library\u003C/a>, with its exaggerated ornament and references to historic Chicago buildings, clearly illustrates these ideas.\u003C/p>\u003Ch5>POSTMODERNISM CROSSES ALL ASPECTS OF LIFE AND DESIGN\u003C/h5>\u003Cp>It’s very difficult to define Postmodernism, and many architects and artists resist the classification. Postmodernist ideas could be found in a wide variety of creative fields that dissolved the boundaries between them, including: literature, visual arts, graphic arts, industrial design, theater and dance. In architecture, Postmodernism is not so much a singular style but an amalgamation of many styles that borrowed from history, reacted to urban context and embraced decorative traditions. Postmodernism was, as historian Mary McLeod wrote, “a desire to make architecture a vehicle of cultural expression.”\u003C/p>",null,{"large":618},{"display":619,"flexDirection":620,"position":621,"flexShrink":622,"boxSizing":623},"flex","column","relative","0","border-box",{"@type":603,"@version":457,"layerName":625,"id":626,"meta":627,"component":629,"responsiveStyles":637},"See your favorite buildings in person / Container 50 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Plan of Chicago",{"title":712,"imageList":714,"category":727,"isPopular":14,"url":728},[715,718,721,724],{"src":716,"caption":717},"https://cdn.builder.io/api/v1/image/assets%2F49af4dfb0fbc43d58bf8ce407e839d74%2F70678a65b3ac4282ac05ac6666eb6add","1909 Plan of Chicago, title pages.",{"src":719,"caption":720},"https://cdn.builder.io/api/v1/image/assets%2F49af4dfb0fbc43d58bf8ce407e839d74%2F27279b11792946c4829fd2bb0f2fa1e3","1909 Plan of Chicago, Civic Center Plaza",{"src":722,"caption":723},"https://cdn.builder.io/api/v1/image/assets%2F49af4dfb0fbc43d58bf8ce407e839d74%2Fd8accb59c32741b08589a9ff5a13334d","1909 Plan of Chicago, view looking west over city",{"src":725,"caption":726},"https://cdn.builder.io/api/v1/image/assets%2F49af4dfb0fbc43d58bf8ce407e839d74%2F5b8f72b685a04d9c9b854b4ca3318ff0","1909 Plan of Chicago, plan of street and boulevard system.","Milestone","/online-resources/architecture-encyclopedia/1909-plan-of-chicago",{"id":730,"name":731,"data":732},"bd81eaff39862395c5bf34c1b1103ab214eed17a5a4761219a745bcf40960c6e","1933-1934 Century of Progress Exposition",{"title":731,"imageList":733,"category":727,"url":747},[734,737,739,741,743,745],{"src":735,"caption":736},"https://cdn.builder.io/api/v1/image/assets%2F49af4dfb0fbc43d58bf8ce407e839d74%2Fda92725da9a24ddd9b08fa5aa256b606","Kaufmann & Fabry Co., official photographers of the 1933 Century of Progress. Courtesy Chicago Park District Archives.",{"src":738,"caption":736},"https://cdn.builder.io/api/v1/image/assets%2F49af4dfb0fbc43d58bf8ce407e839d74%2F065cb3f976364897b5c84f47ea9c9bcf",{"src":740,"caption":736},"https://cdn.builder.io/api/v1/image/assets%2F49af4dfb0fbc43d58bf8ce407e839d74%2Fad0a7c6df9044c4bad721edc16d31a10",{"src":742,"caption":736},"https://cdn.builder.io/api/v1/image/assets%2F49af4dfb0fbc43d58bf8ce407e839d74%2Fe81cc531ff26495fb98aec039b3fd7c1",{"src":744,"caption":736},"https://cdn.builder.io/api/v1/image/assets%2F49af4dfb0fbc43d58bf8ce407e839d74%2F85013c3f636543bea6022adb857f87c8",{"src":746,"caption":736},"https://cdn.builder.io/api/v1/image/assets%2F49af4dfb0fbc43d58bf8ce407e839d74%2F9bcddf0b443242f0a0f14d99471cd49b","/online-resources/architecture-encyclopedia/1933-1934-century-of-progress-exposition",{"id":749,"name":750,"data":751},"251f0df1d353cb0b0900f9c60b97d9e0372e51c88e2cd428d267d26d534025fb","19th-Century Commercial",{"title":750,"imageList":752,"category":591,"url":762},[753,756,759],{"src":754,"caption":755},"https://cdn.builder.io/api/v1/image/assets%2F49af4dfb0fbc43d58bf8ce407e839d74%2F7e59d358eeae4064954c1521b74258f5","Marquette Building",{"src":757,"caption":758},"https://cdn.builder.io/api/v1/image/assets%2F49af4dfb0fbc43d58bf8ce407e839d74%2F3b0f48475ada4d61b7a909bd543f4c31","Monadnock Building",{"src":760,"caption":761},"https://cdn.builder.io/api/v1/image/assets%2F49af4dfb0fbc43d58bf8ce407e839d74%2F74f0516fbca14f29b687d5f3e74f98a2","Railway Exchange Building","/online-resources/architecture-encyclopedia/19th-century-commercial",[764,790,815,849,868,896,921,946],{"id":765,"name":766,"data":767},"9a04a5a6a80649708ac89c584673c36d","Revolution Workshop",{"buildingName":766,"officialName":766,"description":768,"imageList":769,"neighborhood":780,"style":781,"architect":783,"originalCompletionDate":786,"useType":787,"url":789},"\u003Cp>\u003Cbr>\u003C/p>\u003Cp>Revolution Workshop occupies two striking industrial warehouses transformed by Future Firm into a dynamic hub that blends hands-on construction training, collaborative spaces, and community impact.\u003C/p>",[770,773,775,778],{"caption":771,"src":772},"Courtesy of Future Firm. Photo by Daniel Kelleghan.","https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2Fd316604320c7432aa0f15173e6b0df20",{"caption":771,"src":774},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F17109fce101b4a37812704100e61d384",{"caption":776,"src":777},"Photographer: Craig Shimala","https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2Fe476ab60b33349b5a6dc6b57283648f0",{"caption":771,"src":779},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F8403b350923b45cea92d6d6e6157f7f5","East Garfield Park",[782],"Industrial",[784,785],"unknown","Future Firm",1920,[788],"Community Center","/online-resources/buildings-of-chicago/revolution-workshop",{"id":791,"name":792,"data":793},"d94bdac540e24878ab32fba0cf0bff28","Green Mill Jazz Club",{"buildingName":792,"officialName":792,"description":794,"imageList":795,"neighborhood":808,"style":809,"originalCompletionDate":811,"useType":812,"url":814},"\u003Cp>The longtime jazz club, located in Chicago’s Uptown neighborhood, has been open since the early 20th century.\u003C/p>",[796,799,802,805],{"src":797,"caption":798},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2Fcd8e2169eedb4749b8c8c12854835193","Green Mill Jazz Club.",{"src":800,"caption":801},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2Fb82ace34ffce4c42a9ee9473c53b633e","Green Mill Sunken Gardens 1914. Chicago Examiner. Public domain.",{"src":803,"caption":804},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F4a8221cfe67447eb8b3156b740724c09","Original signage. Photographer: Robert Loerzel.",{"caption":806,"src":807},"Photographer: Deb Frels","https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F5efc7aae71004369a20b1bf84e2f6793","Uptown",[810],"19th Century Commercial",1914,[813],"Commerical","/online-resources/buildings-of-chicago/green-mill-jazz-club",{"id":816,"name":817,"data":818},"1bff0571016944f38821feef0cc474b8","North Avenue Beach House",{"buildingName":817,"officialName":817,"description":819,"imageList":820,"neighborhood":840,"style":841,"architect":843,"originalCompletionDate":845,"useType":846,"url":848},"\u003Cp>Originally built in 1940 and redesigned in 1999, the North Avenue Beach House blends historic design with modern amenities, serving millions of Chicago lakefront visitors annually.\u003C/p>",[821,825,828,831,834,837],{"alt":822,"src":823,"caption":824}," An aerial shot shows a crowded beach along a large body of water, likely Lake Michigan, with numerous sailboats dotting the horizon under a pale sky. In the foreground, a sandy beach is packed with people. Adjacent to the beach is a modern, boat-shaped building with red accents on its roof. To the right of the building, a large area with multiple white tents is set up on what appears to be muddy ground, possibly indicating recent rain or a specific event setup. A paved road with parked cars and a few buses curves around a grassy area in the lower left. A long pier extends into the water from the right, ending at a small lighthouse. In the distance, a large ship is visible on the water.","https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F9a1bd4df9cdf4361a6eaf09ec8abb49f","Photo Credit: William Kildow; Lawrence Okrent, Tom Rossiter",{"src":826,"alt":827,"caption":824},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F012e8def527e4bf78526ecb47323803b","A ground-level shot frames the John Hancock Center (now 875 North Michigan Avenue) in the background, towering over a foreground building with a nautical design. The foreground building is white with blue trim and features circular windows resembling portholes, and a large red cylindrical structure on its roof. The word \"RESTROOMS\" is visible above an entrance. Several people are walking around the foreground building's patio area. The sky is partly cloudy.",{"alt":829,"src":830,"caption":824}," A vibrant, low-angle shot of the North Avenue Beach boathouse in Chicago under a deep blue sky. The building, designed to resemble a ship, features white walls, blue railings, and two prominent, red-banded cylindrical structures on its roof, mimicking smokestacks. A striped awning covers a central outdoor area between the two \"smokestacks.\" The lower level of the building is open, revealing glimpses of Lake Michigan through its arched supports. Two people and a bicycle are visible on the left side of the lower level. The intense blue of the sky contrasts sharply with the white and red of the building.","https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F67dd9dba38b04affb7e1dc6a427afdd3",{"src":832,"alt":833,"caption":824},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F386ecef9973346649f0ecc7074542f31"," An interior view of the North Avenue Beach boathouse, showcasing its multi-level, ship-inspired architecture. The ground floor features numerous round, dark tables arranged in rows. White pillars support the upper levels. In the center, a large, dark opening is labeled \"UPPER DECK\" in red text, leading to stairs or a ramp. The walls are white with blue trim and a decorative blue wave pattern. On the upper level, a red wall with a large black opening is visible, resembling the \"smokestack\" exterior. Red and white striped awnings or coverings are visible on either side of the upper level, extending towards the viewer.",{"caption":824,"src":835,"alt":836},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2Fc13b84a9c5e845769e4ad902b1563323"," A wide-angle, twilight shot of North Avenue Beach in Chicago, bathed in a purple hue. The North Avenue Beach boathouse, with its distinctive red-topped \"smokestacks\" and white structure, is centrally located on the left, illuminated by scattered lights. The beach in the foreground appears damp, reflecting some of the sky's light. In the background, the Chicago skyline rises, with several tall buildings glowing with orange and white lights. Streetlights line the beach path, and trees are visible between the boathouse and the city buildings. Two blurred figures are visible on the right side of the frame, possibly walking.",{"src":838,"alt":839,"caption":824},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2Ff106609754ba4de2955258cbee304c7a","A sunny, mid-day shot of North Avenue Beach in Chicago, featuring the distinctive boathouse building in the background. The sandy beach in the foreground is populated with sunbathers lying on towels and chairs. A yellow beach umbrella stands out in the middle ground. The boathouse, designed like a ship, has white walls, blue trim, and two prominent red cylindrical structures on its roof. People are visible on the boathouse's upper deck and on the ground level. In the far background, the top of the John Hancock Center (now 875 North Michigan Avenue) is visible, along with other city buildings, under a clear blue sky.","Lincoln Park",[842],"Art Deco",[844],"Wheeler Kearns Architects",1940,[847],"Multipurpose: Office/Recreational/Community","/online-resources/buildings-of-chicago/north-avenue-beach-house",{"id":850,"name":851,"data":852},"22028f5c9f8a4f31ae3327e15cb4aa1c","Chicago Pedway",{"buildingName":853,"officialName":853,"description":854,"imageList":855,"neighborhood":864,"originalCompletionDate":616,"useType":865,"url":867},"The Chicago Pedway","\u003Cp>Beneath the Loop’s hustle, a hidden network quietly connects the city.\u003C/p>",[856,858,860,862],{"src":857},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F2c5f164b2b854bfdaacdbb4dc0830765",{"src":859},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F201cce8b472845ec8cb2374178bd433a",{"src":861},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F6cab6cfb483a44ed8c490d93c28dd793",{"src":863},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F761e6932657044df819c4959e692e033","Loop",[866],"Mixed Use","/online-resources/buildings-of-chicago/chicago-pedway",{"id":869,"name":870,"data":871},"9acf725bb30c40bf8c290d24bf33dd8a","Macy's on State Street (Formerly Marshall Field's)",{"buildingName":872,"officialName":872,"imageList":873,"neighborhood":864,"style":890,"architect":891,"originalCompletionDate":893,"useType":894,"url":895},"Macy’s On State Street (formerly Marshall Field’s) ",[874,878,882,886],{"caption":875,"src":876,"alt":877},"Marshall Field and Company Building","https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2Fefc20421055b4d749404ae72b726cb4e","image from across the street of a large tall tan building with a green exterior clock hanging from its corner",{"caption":879,"alt":880,"src":881},"Marshall Field","Black and white image of a man with white hair and a mustache wearing a suit and looking to his right","https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F17bbf93a997d4b45b5580259b912cf71",{"alt":883,"src":884,"caption":885},"Bronze sign that reads \"Marshall Field and Company\" ","https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2Fc261af06198449e0a0a49b0deacd2d83","Marshall Field and Company Sign ",{"src":887,"alt":888,"caption":889},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F58c163252e2d4a21a8f6df80f667ee55","Image looking up at a mosaic ceiling with blue and tan tiles that is brightly lit.","Ceiling of the Marshall Field's Building ",[810],[892],"D.H. Burnham & Co.",1892,[813],"/online-resources/buildings-of-chicago/macys-on-state-street-formerly-marshall-fields",{"id":897,"name":898,"data":899},"3ea530f0cb044cf486e2640cd6f3ca69","En Masse Studio",{"buildingName":898,"officialName":898,"description":900,"imageList":901,"neighborhood":913,"style":914,"architect":916,"originalCompletionDate":918,"useType":919,"url":920},"\u003Cp>Discover how En Masse Studio's modern, multi-use building in Logan Square honors architectural legends while revitalizing a historic Chicago neighborhood.\u003C/p>",[902,906,910],{"caption":903,"src":904,"alt":905},"Building exterior of En Masse Studio offices","https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2Fce3e7ae9bb6a440db675ecd2d3fbcb9b","Concrete building with diagonal angles",{"alt":907,"src":908,"caption":909},"Office workers sitting at wide desks with large monitors with a corkboard wall in the background","https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F30457c0b7af8441e97b42589d9b128ca","Interior offices of En Masse Studio",{"src":911,"alt":912},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F8c65962f346b4bb0a7a165ecdab8e062","Bicycle leaning against a concrete wall of a building","Logan Square",[915],"Contemporary",[917],"En Masse Architecture and Design",2022,[866],"/online-resources/buildings-of-chicago/en-masse-studio",{"id":922,"name":923,"data":924},"a64c2fe8f8404d38b2e5803a26dba3b5","Wrigley Field",{"buildingName":923,"officialName":923,"description":925,"imageList":926,"neighborhood":940,"style":941,"architect":942,"originalCompletionDate":811,"useType":944,"url":945},"\u003Cp>One of the most iconic and beloved baseball stadiums in the country, Wrigley Field is the second-oldest Major League Baseball stadium in the U.S. and has been home of the Chicago Cubs since 1916.&nbsp;\u003C/p>",[927,930,934,937],{"alt":928,"src":929},"Image of the exterior of Wrigley Field with a large red sign that reads \"Wrigley Field, home of the Chicago Cubs\"","https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F25e74296ebbb4387ad113ce3e17c01a6",{"src":931,"caption":932,"alt":933},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F09a0c4957cc748bf8d90756258922d72","Weeghman Park left field, May 1914","Black and white image of a baseball field and players standing on it with stands full of people on the left and in the background",{"src":935,"alt":936},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F771a6592180042d8bfecbba96d391e86","Black and white image of the exterior of Wrigley Field with a large sign that reads \"Wrigley Field Home of the Chicago Cubs\" as the focal point, and people walking towards the stadium in the foreground.",{"src":938,"alt":939},"https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F35636caec8234ab595e30df5ebb54ed9","Aerial image of Wrigley Field from the back showing the field and the stands.","Lakeview",[396],[943],"Zachary Taylor Davis",[813],"/online-resources/buildings-of-chicago/wrigley-field",{"id":947,"name":948,"data":949},"80843967f2ee4492a34f5169af1bd8a2","University of Chicago’s Keller Center",{"buildingName":948,"officialName":948,"imageList":950,"neighborhood":955,"style":956,"architect":958,"originalCompletionDate":961,"useType":962,"url":964},[951],{"caption":952,"alt":953,"src":954},"University of Chicago's Keller Center","exterior of academic building with several columns ","https://cdn.builder.io/api/v1/image/assets%2Fe61abde79d954ddab2b6092044c4b5a1%2F3ebf4314a64041f3a2b8a6df8f7c70d0","Hyde Park",[957,915],"Modernism",[959,960],"Farr Associates","APMonarch",1962,[963],"School","/online-resources/buildings-of-chicago/university-of-chicagos-keller-center"]